Press Clippings for the week ending
Saturday, 15 December 2007

A random selection of clippings
from newspapers and magazines

Eddie Foy on tour in Off the Earth,
with Sadie McDonald, Kate Uart,
Lola and Lillian Hawthorne,
Joseph Doner, Henry Carter, et al,
Grand Theatre, Decatur, Illinois, March 1895

Lola Hawthorne

Lola Hawthorne (fl. late 19th/early 20th Century)
American vaudeville actress and singer, a sister of Lil Hawthorne

(photo: unknown, circa 1905)

'On Tuesday evening, the 19th, at the Grand, Eddie Foy's success in the new and revised edition of the fantastic operatic travesty, Off the Earth, will be presented. The production is said to be one of the finest in point of scenic beauty ever witnessed here, and the costumes and surroundings are beautiful in the extreme. The story is quaintly amusing, and Foy in the character of Cluster, an up-to-date cash boy, contributes one of the funniest performances he has ever given. The company numbers nearly 100, among the principals being Sadie McDonald, Kate Uart, Lola Hawthorne, Madeline Morando, Lillian Hawthorne, Joseph Doner, H.W. Tredenick, Henry Carter, and a recently imported Russian equilibrist, Sadi Alfaradi, whose act is said to border on the marvelous.'
(The Daily Republican, Decatur, Illinois, Saturday, 16 March 1895, p.3d)

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Mattie Edwards, late of the
In Dahomey company,
appears in Klaw & Erlanger's
gigantic production of
Edmund Day's drama,
The Round-Up,
Majestic, Fort Wayne, March 1912

Mattie Edwards

Mattie Edwards (1866-1944), American stage and screen actress,
as she appeared as the Dahomian Queen in the prologue of
In Dahomey, Shaftesbury Theatre, London, 16 May 1903.

(photo: Cavendish Morton, London, 1903)

'The Round-Up Coming.
'Klaw & Erlanger's Big Production at the Majestic, March 15-16.
'The Round-Up, Klaw & Erlanger's stupendous production of Edmund Day's famous drama, will be seen for the first time in this city at the Majestic theater March 15 and 16. This play, with its heart interest and thrills and extraordinary sensationalism in the most realistic battle scene ever presented, has a popular appeal that has resulted in an unbroken succession of crowded audiences wherever seen.
'The production is one of the largest that Klaw & Erlanger have ever made, and they have omitted no deal in scenery or equipment that could contribute in any way to the completeness of this great atmospheric picture. The company is large and very able, and in addition to the leading players, there is an auxiliary interest in the form of genuine western cavalrymen, cowboys, Mexican vaqueros, Apache Indians and twenty cow ponies from Arizona cattle ranges. The locale of the scenes is Southwestern Arizona before the advent of the wire fences and during the period when General Creek was chasing Conchise and his braves in the reservation at Fort Grant. The story, although written about a western theme, and strongly dramatic, is not of the "wild and woolly" character that one almost instinctively associated with the term western play. The personalities of the story are, of course, the rough and homely type of the ranges, but the story is one of such supreme heart interest and so true to human nature generally that it perhaps could be translated to another locale and interpreted by different types of character, with fully as great effectiveness as in the setting in which it is now presented. The broad art of the scene painted and the marvels of stagecraft have never produced such scenes as those represented in the Round-Up. The eye looks upon the great distance of arid desert and up to the towering gigantic canyons with wonderment that paint and brush, stage mechanism and light effects can have such magic use as to present such vividly real scenes. The "battle scene" - the real thing in shot and shell and gatling gun, and it is worked up to a climax of overwhelming excitement. In this scene twenty mounted Indians rise along the tortuous path at the edge of a precipice and the attack upon the two wanderers of the desert by this band of Apache Indians and their routing by a detachment of United States cavalry, headed by "Slim" Hoover, the sheriff. The scene of the last act at Sweetwater, presenting a cattle round-up, is a typical scene of western bravado and cowboy horsemanship, with a dozen bucking broncos. The magnitude of this production is such that it can only be played in a few cities and in only the largest theaters.
'the cast includes Hanley Holmes, Harold Hartsett, William Conklin, Mitchell Harris, Harry Cowan, W.H. Sullivan, M.E. Heisey, Frank Vail, James Ashburn, Jacques Martin, W.N. Bailey, Edward Settle, Charles Aldridge, "Texas" Cooper, Genla Henius, Inez Macauley and Mattie Edwards. There will be an auxiliary organization of 150 people, including soldiers, scounts, cow-punchers, Mexican vaqueros, Arizona girls, Apache Indians and twenty horses.'
(The Fort Wayne Sentinel, Fort Wayne, Saturday, 2 March 1912, p.12b-d)

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© John Culme, 2007